Animation

Black Hole Son

Pete Burkeet | Q+A

Pete Bukeet’s piece Black Hole Son was published in Issue 12 of Digital America.  In this interview Burkeet gives us insight into his making process and inspiration behind making Black Hole Son.  He also shows us the connection between Black Hole Son and his other work like Mannequin, and Beyond Human. ::: DigA: You use multiple mediums in…

STRANGERS COWBOYS | Emily Sasmor

STRANGERS COWBOYS is the second, third, and four acts of the multi-media, performative series HOTLINE FOR THE LOST, a six-act morality opera by Emily Sasmor. Sasmor’s evocative and “dense” video winds through a non-linear narrative between the real and the simulated. STRANGERS COWBOYS confronts the idea of violence in a…

Emily Sasmor | Q + A

Emily Sasmor’s work STRANGERS COWBOYS was published in Issue 11 of Digital America. Sasmor talked with Digital America about her overarching series HOTLINE FOR THE LOST, how she approaches themes of violence, pop culture, and the real vs. the simulated in her work. ::: DigA: In STRANGERS COWBOYS, there is…

THANK YOU | Vi Trinh

Vi Trinh’s animation, THANK YOU, explores the relationship between power and powerlessness, and thus casts the characters of humans, institutions, and animals. Trinh uses a sliding scale of greyness to show a false dichotomy between nature and humans. As we watch bear and woman dance between nature and audience, we are…

Island fishing screen shot Chris Riston

Island Fishing | Chris Ritson

Island Fishing is a video loop created from digitally composited, handmade, stop-motion animations. It uses traditional Japanese kirigami forms (cut-and-glue origami) to manipulate depictions of human bodies as represented in free tourist magazines distributed across Waikiki. The narrative depicts a moment from the myth of the god Māui as he hauls up…