Jiaqi Liu | Q+A
Digital America interviewed Jiaqi Liu in April of 2025 on her work The Clock. ::: Digital America: The Clock (2022), explores the “distance between abstraction...
Response to Fields by Arden Schager | Brooke Harper
Fields (2023) is a deceptively simple yet profoundly moving digital artwork that transforms a quiet interface into a powerful space for shared emotional presence,...
can-you-hear-me-over-the-files | Lu Gillespie
Lu Gillespie’s can-you-hear-me-over-the-files (2024) is an interactive, conceptual piece that orchestrates through a series of commands on the user’s personal device. The files are...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
julianne | Julianne Aguilar
julianne (2024) reflects a year-long exploration into both appearing and disappearing on the internet. Mexican-American artist Julianne Aguilar is motivated to bring back the...
CLOSE TO YOU | Emily Sasmor
Emily Sasmor’s CLOSE TO YOU (2024) is an animated visual opera exploring queer love through 55 androgynous characters— “Drifters.” The work is live streamed...
Julianne Aguilar | Q+A
Digital America interviewed Julianne Aguilar in November of 2024 about her work julianne. ::: Digital America: julianne (2024) acts as a self-portrait that investigates...
Emily Sasmor | Q+A
Digital America interviewed Emily Sasmor in November of 2024 on her work CLOSE TO YOU. ::: Digital America: CLOSE TO YOU, is a complex,...
Sarah Lasley | Q+A
Digital America interviewed Sarah Lasley in November of 2024 on her work Welcome to the Enclave. ::: Digital America: In your animated film Welcome...
The Clock | Jiaqi Liu
Jiaqi Liu’s interactive work, The Clock (2022), measures the viewer’s interaction with the art to not only actually create the piece, but to also...