Jiaqi Liu | Q+A
Digital America interviewed Jiaqi Liu in April of 2025 on her work The Clock. ::: Digital America: The Clock (2022), explores the “distance between abstraction...
can-you-hear-me-over-the-files | Lu Gillespie
Lu Gillespie’s can-you-hear-me-over-the-files (2024) is an interactive, conceptual piece that orchestrates through a series of commands on the user’s personal device. The files are...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
julianne | Julianne Aguilar
julianne (2024) reflects a year-long exploration into both appearing and disappearing on the internet. Mexican-American artist Julianne Aguilar is motivated to bring back the...
CLOSE TO YOU | Emily Sasmor
Emily Sasmor’s CLOSE TO YOU (2024) is an animated visual opera exploring queer love through 55 androgynous characters— “Drifters.” The work is live streamed...
Julianne Aguilar | Q+A
Digital America interviewed Julianne Aguilar in November of 2024 about her work julianne. ::: Digital America: julianne (2024) acts as a self-portrait that investigates...
Emily Sasmor | Q+A
Digital America interviewed Emily Sasmor in November of 2024 on her work CLOSE TO YOU. ::: Digital America: CLOSE TO YOU, is a complex,...
Sarah Lasley | Q+A
Digital America interviewed Sarah Lasley in November of 2024 on her work Welcome to the Enclave. ::: Digital America: In your animated film Welcome...
The Clock | Jiaqi Liu
Jiaqi Liu’s interactive work, The Clock (2022), measures the viewer’s interaction with the art to not only actually create the piece, but to also...
brat but it’s totally not brat just you | Emily d’Achiardi
Emily d’Achiardi’s brat but it’s totally not brat just you (2024) is an interactive web piece that cuts up and reformulates musical artist’s Charlie XCX’s...