Manipulation of Life | Ai-Chun Huang
Ai-Chun Huang’s The Manipulation of Life (2021) is a video piece that uses a collage-like stop motion animation style to explore the ways in...
No Turn on Red | Jody Zellen
Jody Zellen’s No Turn on Red (2024) performs a metaphor and meditation on motion and waiting for motion. Taking the form of an interactive,...
HIC SVNT DRACONES | Benna Gaean Maris
Benna Gaean Maris’s Hic Svnt Dracones (2023) is a code file implementing robot.txt blocks which are protected under the Robots Exclusion Protocol. The piece of...
Flower Burial | Nathan Harper
In Flower Burial (2024) Nathan Harper explores the ironic disembodiment of healthcare by manipulating personal experiences with medical debt collection while alluding to early...
Goodbye Payton | Emily d’Achiardi
“Goodbye Payton” (2023) curates the endings, beginnings, and middle of a crumbling relationship using audio recordings, transcripts, and hand-written letters. An entirely web-based piece,...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...
Marketing Keeled Free Web Like a Storm | Benna Gaean Maris
Marketing Keeled Free Web Like a Storm (2022) is a parody music video of the Buggles’ cult classic Video Killed the Radio Star. With...
Response to No Turn on Red | Livi Palalay
Livi Palalay illustrated this animation in response to Jody Zellen’s work No Turn on Red (2024) to acknowledge themes of waiting and emphasize the...
Occupation | Coalfather Industries
“Occupation” (2023) is a video performance piece that examines the ideas surrounding work, addressing both the work climate of the post-pandemic era and injurious...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...