_Prog[W]res[tle]s_ | Mez Breeze
Mez Breeze’s interactive web piece, _Prog[W]res[tle]s_ (2024), explores themes of doom scrolling, political erosion, climate change, extremism, and gender-based objectification. Breeze creates AI-collaborative visual...
POV: Scratching compact discs of sentimental value | Miguel Gallego
POV: Scratching compact discs of sentimental value (2025), investigates human relationships with the outmoded medium of CDs via their digital and tangible properties. Gallego...
Fields | Arden Schager
The Fields (2025) is an interactive web piece that allows users to create and add an emoji field to a shared space of contributions....
GAN of Living Skies | Cat Bluemke
GAN of Living Skies (2023) offers a new perspective on the relationship between AI and the environment utilizing solar energy to re-imagine—and build upon—American...
Inspired from “Silent Adaptation” by Tairan Hao | Audrey Chen
This short animation is inspired by Silent Adaptation, which powerfully explores themes of silence, adaptation, and the fragile relationship between humans and the environment....
Response to Fields by Arden Schager | Brooke Harper
Fields (2023) is a deceptively simple yet profoundly moving digital artwork that transforms a quiet interface into a powerful space for shared emotional presence,...
can-you-hear-me-over-the-files | Lu Gillespie
Lu Gillespie’s can-you-hear-me-over-the-files (2024) is an interactive, conceptual piece that orchestrates through a series of commands on the user’s personal device. The files are...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
Edit Ver. 1 | Chun Guo
Chun Guo’s Edit Ver. 1 (2024) is an visually rich animated video that explores how contemporary users attempt to construct and deconstruct their identity...
Next to You (in-malibu.mx) | Rodrigo Nava Ramirez
Next to You (in-malibu.mx) is a website where Rodrigo Nava Ramirez has been singing “Malibu” by Miley Cryrus on a loop since 2017—the year...