Dowon Yoo | Q + A
Digital America interviewed Dowon Yoo in April 2023 about his pieces Gestures (2020) & Right to Left (2022). ::: Digital America: In your piece,...
Ziyi Zhang | Q + A
Digital America interviewed Ziyi Zhang in April 2023 about her piece Family Photo Album (2022). ::: Digital America: In Family Photo Album (FPA) you...
Katina Bitsicas | Q + A
Digital America interviewed Katina Bitsicas in April 2023 about her piece, How long after this before I’m gone? (2021). ::: Digital America: How long...
Family Photo Album | Ziyi Zhang
Ziyi Zhang’s Family Photo Album (FPA) (2023) is an interactive, browser-based work of art that explores the artist’s “bestie,” a Chinese international student who...
Electric Flesh & Anatomical Intervention | Ryota Matsumoto
Using a hybrid of digital and physical media, artist Ryota Matsumoto creates busy, vibrant layers of organically shaped oddities. In Electric Flesh and Anatomical...
Response to Elsewhere | Caroline Stevens
Margaret Noble’s Elsewhere, publishing in Digital America Issue 21, is an interactive website link compiled of a live camera feed depicting more than forty...
Response to Family Photo Album | Aylin Bruce
Ziyi Zhang’s Family Photo Album explores the relationship—and tensions—between cultures and personal art practice. Family Photo Album allows the viewer to explore the multi-dimensional...
Splice Lines | Clint Enns
Splice Lines (2012) consists of two artworks, an image montage and a short film, each constructed from the isolated splice lines in Kurt Kren’s...
The Motion Studies | Keaton Fox
In Motion Studies (2022), artist Keaton Fox urges us to slow down. Born from a fascination with slow tv, Fox’s Motion Studies are morphing...
Harm | Dalena Tran
Harm (2022) directed by artist Dalena Tran, with character animation by Katrina Sung and music by Beacon (Thomas Mullarney and Jacob Gossett), focuses on...