can-you-hear-me-over-the-files | Lu Gillespie
Lu Gillespie’s can-you-hear-me-over-the-files (2024) is an interactive, conceptual piece that orchestrates through a series of commands on the user’s personal device. The files are...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
Edit Ver. 1 | Chun Guo
Chun Guo’s Edit Ver. 1 (2024) is an visually rich animated video that explores how contemporary users attempt to construct and deconstruct their identity...
Next to You (in-malibu.mx) | Rodrigo Nava Ramirez
Next to You (in-malibu.mx) is a website where Rodrigo Nava Ramirez has been singing “Malibu” by Miley Cryrus on a loop since 2017—the year...
julianne | Julianne Aguilar
julianne (2024) reflects a year-long exploration into both appearing and disappearing on the internet. Mexican-American artist Julianne Aguilar is motivated to bring back the...
Bio_Éxtasis | Omar Batista
Bio_Extasis (2024) is an experimental animation by artist Omar Batista. Batista utilizes OpenCv, Stable Diffusion, Blender 3D, Python and C++ to create a “visual...
CLOSE TO YOU | Emily Sasmor
Emily Sasmor’s CLOSE TO YOU (2024) is an animated visual opera exploring queer love through 55 androgynous characters— “Drifters.” The work is live streamed...
As Real as the Here | Vivian Charlesworth
Calling upon early internet themes of hypertextual storytelling and fragmented narratives, artist Vivian Charlesworth creates an alternative reality in the VR piece As Real...
Julianne Aguilar | Q+A
Digital America interviewed Julianne Aguilar in November of 2024 about her work julianne. ::: Digital America: julianne (2024) acts as a self-portrait that investigates...
Emily Sasmor | Q+A
Digital America interviewed Emily Sasmor in November of 2024 on her work CLOSE TO YOU. ::: Digital America: CLOSE TO YOU, is a complex,...