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Digital America

Damian Hondares

December 7, 2016December 7, 2016
Damian Hondares

Fear and Loathing in GTA V: Where the Wave Broke

“In a closed society where everybody’s guilty, the only crime is getting caught,” Hunter Thompson wrote in his 1971 novel Fear and Loathing in...

by Meghan Rosatelli

Isn’t It Ironic?

by Meghan Rosatelli

Blackstar: Trolled by the Goblin King

by Meghan Rosatelli

Language in the Age of Context Collapse

by Meghan Rosatelli
Columns Damian Hondares

Just Be Evil

I heard a rumor that my writing was bleak. I’m not sure if I believe it or not. The way I see it, not...

by
Columns Damian Hondares

Oblivion and the Internet

I wasn’t going to write this piece. I thought about it, considered writing and then stopped. Lest I should bloviate as per usual or...

by
Columns Damian Hondares

My kind of social media

I’m antisocial. Sure, when I’m off at school it’s different. I’m in “people mode” so often that sometimes I forget just how much of...

by
Columns Damian Hondares

The Internet’s Identity Theft

Whenever I feel like annoying my girlfriend, I bombard her with cryptic quotes. My personal favorite comes from the one and only Bob Dylan,...

by
Columns Damian Hondares

The Walking Dead in a Digital America

The Walking Dead returned Sunday, February 8, 2015 for the second half of its fifth season. 15.6 million people tuned in. I was one...

by
Columns Damian Hondares

Netflix Killed the Movie Star

Netflix recently announced a major deal with Adam Sandler to release four movies on its streaming platforms the same day as its big-screen premiere....

by

Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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