Black Hole Son | Pete Burkeet
In Black Hole Son, Pete Burkeet takes the viewer on a visual rollercoaster of disastrous spectacle in American consumerism and culture. In 1986, Ohio released...
Immigrant Documentation | Linh Dao
In Immigrant Documentation, Linh Dao imagines a future where the immigration process mimics the ease, and flippancy, of our mobile culture. Here, the entirety of...
STRANGERS COWBOYS | Emily Sasmor
STRANGERS COWBOYS is the second, third, and four acts of the multi-media, performative series HOTLINE FOR THE LOST, a six-act morality opera by Emily...
👍🏿👎🏻: Emojis, Digital Blackface, and White Identity | Miranda Rosenblum
Does 👋🏻 mean something different than 👋🏾? What about ✊🏿 compared to ✊🏻? In 2015, Apple released a new array of emoji skin tones....
Some Kind of Ether | Izzy Pezzulo
Some Kind of Ether is a video piece that utilizes appropriated and original material to create a meditation on, as the artist puts it, “the...
Eight, Four Five | Jessica Mairena
Eight, Four Five is Jessica Mairena’s exploration of trauma and psychology through conceptual drawings, as affected by the precariousness of the digital sphere. The...
Reexamining the “Real”: A Response to STRANGERS COWBOYS | Izzy Pezzulo
Emily Sasmor’s STRANGERS COWBOYS is a journey that takes place over time, with many different elements, exploring the lives of (unnamed) characters taking place...
Mixed Connections | Emma Dickson
“Still waiting…” “Lingering grace at J. Alexander’s.” “Gay hat, green shorts.” Through a randomized recombination of Craigslist Missed Connection posts, Emma Dickson’s Mixed Connections...
Without a Trace | Jody Zellen
Without a Trace slows down the streaming news cycle and asks us to take stock of the outline—the contrast—of the text and image presented. Jody...
THANK YOU | Vi Trinh
Vi Trinh’s animation, THANK YOU, explores the relationship between power and powerlessness, and thus casts the characters of humans, institutions, and animals. Trinh uses a...