Onions | Kia Miakka Natisse
Onions places the viewer in the moment when a writer struggles to construct an honest narrative about her struggle with “hiding or ignoring” her...
“Rogers’ & Jackson’s Hypertexts As Feminist Museums of Power” | Christine Sloan Stoddard
The multimedia work of New York artist Bunny Rogers (b. 1990) is “not without its antecedents,” to borrow the words of the architect and...
Crash Course | Tyler Bohm
In Crash Course, Tyler Bohm distorts video of the beloved painter Bob Ross by overlaying episodes from a season of his popular show The...
Spit | Molly O’Donnell
Molly O’Donnell’s Spit explores the relationship between the grotesque and the natural as it navigates the complicated relationship we have with the internet and pressing...
Smiling Through The Pain: A Response To Late Capitalist GIF Thoughts | Rachel Bochner
“Happy Hump Day😜!” “Almost the weekend…😅” “TGIF!🙌🏽” Some might call this ‘smiling through the pain.’ The term “late capitalism” has recently become a particularly...
Late Capitalist GIF Thoughts | Fidelia Lam
Late Capitalist GIF Thoughts plays with the digital banality of the GIF format in an attempt to draw attention to the affective impact of...
Ruminations | Lilia Levine
Lilia Levine’s piece Ruminations depicts experiences of mental angst and obsession through laser cutting and 3D printing. Her work represents the modern anxieties women face...
Cybernated Frames: A Response to Please Step Out of the Frame | Yuwei Lin
I stepped into a frame in which artist Karissa Hahn allows for no escape. Just as how Nam June Paik employed a conceptual use...
Become Android | Yuwei Lin
Become Android is a personal journey about connections and disconnections from the real world. The artist describes being frequently trapped by endless information from...
Endangered Data | Zachary Dean Norman
Endangered Data responds to the growing concern that data which confirms anthropogenic global warming might be subject to manipulation, repression, or erasure by the...