Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...
Response to Elsewhere | Caroline Stevens
Margaret Noble’s Elsewhere, publishing in Digital America Issue 21, is an interactive website link compiled of a live camera feed depicting more than forty...
Response to How Long After This Before I’m Gone? | Jax Donohue
Katina Bitsicas’ piece How Long After This Before I’m Gone? resonates with me. Bitsicas created an interactive augmented reality project showcasing a digital illustration...
Response to Promise Burden Prompt Origin Defense Palette Call | Peyton Galli
Self-reflection is the act of meditation or serious thought about one’s character, actions, and motives. When thinking of self-reflection my mind goes to the...
Response to Family Photo Album | Aylin Bruce
Ziyi Zhang’s Family Photo Album explores the relationship—and tensions—between cultures and personal art practice. Family Photo Album allows the viewer to explore the multi-dimensional...
Splice Lines | Clint Enns
Splice Lines (2012) consists of two artworks, an image montage and a short film, each constructed from the isolated splice lines in Kurt Kren’s...
The Motion Studies | Keaton Fox
In Motion Studies (2022), artist Keaton Fox urges us to slow down. Born from a fascination with slow tv, Fox’s Motion Studies are morphing...
New Colors / Old Wars | Lesser Gonzalez Alvarez
In Lesser Gonzalez’s New Colors / Old Wars (2022), the artist represents the historical human experience through AI generated artifacts. The images trick the...
Harm | Dalena Tran
Harm (2022) directed by artist Dalena Tran, with character animation by Katrina Sung and music by Beacon (Thomas Mullarney and Jacob Gossett), focuses on...
Decriminalizing Immigrants | Linh Dao
We’re excited to provide a glimpse into artist Linh Dao’s work in progress, Decriminalizing Immigrants (2022). A digital space that explores the “port of...