A Flexible Mode | Jinu Hong
In A Flexible Mode (2019) artist Jinu Hong responds to the prompt: What is the contemporary vocabulary of collage? Channeling French illusionist and stage...
Calm Down! | Crystal Beiersdorfer
In Calm Down! (2019-2020), Crystal Beiersdorfer contrasts digital guided meditations with the hyperactive nature of the internet. The piece combines guided meditation with collages...
New Leaf | Damon Pham
In New Leaf (2020) artist Damon Pham was inspired by the outpouring of nostalgic memories listeners expressed in the YouTube comments section of the...
Carnal Politics: A Response to Dear Vern | Tra My Anderson
Corporeal, carnal, erotic—the body as a space in which politics are waged is an inevitable reality. In spite of every effort to dissociate belief...
Can Radio Help Us Become Forest? | Sarah Schmitt
In the written piece, Can Radio Help Us Become Forest? (2021), Sarah Schmitt examines ways to create support systems for all communities, specifically non-digital...
Response to Dark Parts | Ellie Holdsworth
Through both a visual and audible experience, Becky Brown explores the liminal space of the home in her video piece Dark Parts (2020). We...
Dark Parts | Becky Brown
Becky Brown’s Dark Parts (2020) is a video piece inspired by the perfection and impossible curation of homes that exist only in magazines and...
otherness | Feixue Mei
In the piece, otherness (2019), Feixue Mei uses animation, language, and pop culture media, to capture the perspective of a cultural outsider in a...
Covid-19 Lockdown | Teona Chanishvili
Teona Chanishvili’s Covid-19 Lockdown (2020) is a series of impressions that depict life during the COVID-19 pandemic under physical-distancing guidelines. The impressions are deeply...
The Twittering | Rafa Arrocha
In The Twittering (2021), artist Rafa Arrocha depicts homophobia and discrimination in Panama. Through a Hitchcockian lens, collected homophobic tweets scroll down the screen...