Digital America

Schuyler Dragoo | Q+A

Digital America interviewed Schuyler Dragoo in April of 2025 on her work Simulacra Goose. ::: Digital America: We see biases in AI systems because...

Features

Wipe out red dots | Yuwen Huang

Wipe out Red Dots (2023) is an interactive piece that forces us to face the exploitation of our attention from UI notifications. Utilizing the...

Q + A

Cat Bluemke | Q + A

Digital America interviewed Cat Bluemke in April of 2025 on her work GAN of Living Skies. ::: ::: Digital America: You explain GAN of...

Q + A

Tairan Hao | Q+A

Digital America interviewed Tairan Hao in April of 2025 on his work Silent Adaptation. ::: Digital America: Silent Adaptation reflects your connection to the...

Q + A

Jiaqi Liu | Q+A

Digital America interviewed Jiaqi Liu in April of 2025 on her work The Clock. ::: Digital America: The Clock (2022), explores the “distance between abstraction...

Q + A

Arden Schager | Q+A

Digital America interviewed Arden Schager in April of 2025 on his work the The Fields. ::: Digital America: The Fields (2023) is a collaborative...

Features

Fields | Arden Schager

The Fields (2025) is an interactive web piece that allows users to create and add an emoji field to a shared space of contributions....

Features

The Ministry of Notnot

The Ministry of Notnot (2025) is a series of video installations dubbed “Cabinets” that present an alternative to our current government within an equally...

Features

GAN of Living Skies | Cat Bluemke

GAN of Living Skies (2023) offers a new perspective on the relationship between AI and the environment utilizing solar energy to re-imagine—and build upon—American...

Features

_Prog[W]res[tle]s_ | Mez Breeze

Mez Breeze’s interactive web piece, _Prog[W]res[tle]s_ (2024), explores themes of doom scrolling, political erosion, climate change, extremism, and gender-based objectification. Breeze creates AI-collaborative visual...