GAN of Living Skies | Cat Bluemke
GAN of Living Skies (2023) offers a new perspective on the relationship between AI and the environment utilizing solar energy to re-imagine—and build upon—American...
Jiaqi Liu | Q+A
Digital America interviewed Jiaqi Liu in April of 2025 on her work The Clock. ::: Digital America: The Clock (2022), explores the “distance between abstraction...
can-you-hear-me-over-the-files | Lu Gillespie
Lu Gillespie’s can-you-hear-me-over-the-files (2024) is an interactive, conceptual piece that orchestrates through a series of commands on the user’s personal device. The files are...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
Next to You (in-malibu.mx) | Rodrigo Nava Ramirez
Next to You (in-malibu.mx) is a website where Rodrigo Nava Ramirez has been singing “Malibu” by Miley Cryrus on a loop since 2017—the year...
julianne | Julianne Aguilar
julianne (2024) reflects a year-long exploration into both appearing and disappearing on the internet. Mexican-American artist Julianne Aguilar is motivated to bring back the...
CLOSE TO YOU | Emily Sasmor
Emily Sasmor’s CLOSE TO YOU (2024) is an animated visual opera exploring queer love through 55 androgynous characters— “Drifters.” The work is live streamed...
As Real as the Here | Vivian Charlesworth
Calling upon early internet themes of hypertextual storytelling and fragmented narratives, artist Vivian Charlesworth creates an alternative reality in the VR piece As Real...
The Clock | Jiaqi Liu
Jiaqi Liu’s interactive work, The Clock (2022), measures the viewer’s interaction with the art to not only actually create the piece, but to also...
Flower Burial | Nathan Harper
In Flower Burial (2024) Nathan Harper explores the ironic disembodiment of healthcare by manipulating personal experiences with medical debt collection while alluding to early...