Marketing Keeled Free Web Like a Storm | Benna Gaean Maris
Marketing Keeled Free Web Like a Storm (2022) is a parody music video of the Buggles’ cult classic Video Killed the Radio Star. With...
Occupation | Coalfather Industries
“Occupation” (2023) is a video performance piece that examines the ideas surrounding work, addressing both the work climate of the post-pandemic era and injurious...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...
Deliberate Decoding | Ellen Hart
Deliberate Decoding (2023) presents an interactive, browser-based hyperlink artwork delving into the artist’s exploration of digital art. In this immersive experience, the artist grapples...
Making sense of what __ pieces were left… | Lu Gibson
“Making sense of what ___ pieces were left…” (2023) uses a series of nine digital collage and written short pieces to tell stories of...
./configure | Bryan Valdes
“./configure” (2023) is a series of crude and binary video collages that are meant to be a digital mirror to the transient nature of...
dead account | Denver Nuckolls
An EP of six songs, “dead account” aurally explores the relationship between humans and technology. Meant to be listened to in order, the difference...
Response to Marketing Keeled Free Web Like A Storm | Quintarius Jefferies
Benna Gaeane Maris’s ingeniously crafts a clever parody of The Buggles’ iconic song “Video Killed the Radio Star” (1979) titled Marketing Keeled Free Web...
Family Photo Album | Ziyi Zhang
Ziyi Zhang’s Family Photo Album (FPA) (2023) is an interactive, browser-based work of art that explores the artist’s “bestie,” a Chinese international student who...
Electric Flesh & Anatomical Intervention | Ryota Matsumoto
Using a hybrid of digital and physical media, artist Ryota Matsumoto creates busy, vibrant layers of organically shaped oddities. In Electric Flesh and Anatomical...