The Selfie Stage (Today and Tomorrow): On Lacan, Debord, and The Future | Max Blue
In “The Selfie Stage,” Max Blue takes aim at a society so narcissistically enamored of its self-indulgent technologies that it threatens to recede into a reclusive oblivion. Blue speaks to the power of the selfie as a Kubrickian monolith, as a source of Lacan’s “Ideal-I,” while warning of the implications….
