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Features

How the Internet is Helping the Music Industry | Will Johnson

The music industry is dying. At least, this is the common expression among music businessmen. The availability of music for cheap prices and the...

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Features

The Demise of net.art: A Look At Artifacts Past | Kenta Murakami

The absorption of radical art movements by the mainstream has become a cliché of the avant-garde. “Subversion to assimilation to absorption”: a cycle net.artist...

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Features

Living in Loser City: an interview with the creators | Francesca Lyn

Recently I had the chance to talk to the founders of a new online venture, Loser City. Loser City is a cross-platform arts and...

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Features

Dead Man’s Bell: Virilio’s Tele-vision & the Cybernetic Eternity | Norberto Gomez Jr.

“These creatures are nothing but pure motorized instinct. We must not be lulled by the concept of these are family members or friends. They...

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Features

Collecting Male Tears: Misandry and Weaponized Femininity on the Internet | Jillian Horowitz

“Gee, isn’t it awful for women to hate men?” With the ironic opening to her October 1972 piece for the Village Voice entitled “The...

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Features Process Features

Virtual Interworlds

What does it mean for something to be virtual? And what does it mean for something to be a world? These are the questions...

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Editor's Note:

Welcome to issue 25, featuring a multitude of pieces focusing on social-political issues relevant to our current reality. From Zhuoyu Zhang’s short film Dolma, which explores the artist's personal experience maneuvering gender and national identity, to Mez Breeze’s interactive website _Prog[W]res[tle]s_ , exploring a variety of political issues using AI-enhanced images and code poetry, viewers are invited to question their experiences on the internet. We hope you enjoy it.

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Digital America 2025
  • Issue no. 25
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