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Digital America

Tag: Comics

Reviews

Cloud Burst: A Review of Brian K. Vaughan’s Futuristic Comic Noir, The Private Eye

When I picked up the latest Microsoft Office suite, I found that it came with a whopping 1TB of storage in OneDrive, Microsoft’s cloud...

by Meghan Rosatelli January 5, 2016September 10, 2019
Columns Michael Leonberger

The Amazing Spidey Fridge Logic

In 2012’s The Amazing Spider-Man, Peter Parker has a poster of Rear Window hanging in his room. So Web-Head knows a thing or two...

by Meghan Rosatelli December 2, 2015October 4, 2016
Columns

Adventures in Comic Studies | Francesca Lyn

Francesca Lyn is a PhD student in the Media, Art, and Text program at Virginia Commonwealth University. Throughout the fall and spring, she will be...

by Meghan Rosatelli October 7, 2014March 9, 2021
Features

Why I Started A Digital Comics Label Even Though Nobody’s Ever Heard Of Me | Danny Djeljosevic

Comics have a supremely low barrier to entry, at least in terms of production. Just draw two squares and then draw more stuff inside...

by Meghan Rosatelli May 6, 2014March 2, 2021
Features

Most Days | Justin Hubbell

Editor’s Note: Most Days was originally published in Issue No. 3 as a Comics feature. ::: A native of “the South Wedge” in Rochester...

by Meghan Rosatelli May 2, 2014
Features

Down the Upward Spiral | Corey Giacco

Editor’s Note: Down the Upward Spiral was first published in Issue No. 3 as a Comics feature. ::: If you’re interested in dark twisted...

by Meghan Rosatelli May 2, 2014March 13, 2021
Features

Living in Loser City: an interview with the creators | Francesca Lyn

Recently I had the chance to talk to the founders of a new online venture, Loser City. Loser City is a cross-platform arts and...

by Meghan Rosatelli October 21, 2013October 15, 2021

Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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Digital America 2022
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