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Digital America

Tag: Communication

Fuck, Where Is The Mute? screenshot
Features

Fuck, Where is the Mute? | Jonathan Kelham

In the piece, Fuck, Where is the Mute: Leaders Annual General Meeting 2021 (2021), Johnathan Kelham depicts internet communication in 2021 through an early...

by Meghan Rosatelli April 22, 2021October 24, 2021
Features

Can Radio Help Us Become Forest? | Sarah Schmitt

In the written piece, Can Radio Help Us Become Forest? (2021), Sarah Schmitt examines ways to create support systems for all communities, specifically non-digital...

by Meghan Rosatelli April 21, 2021October 12, 2021
Features

👍🏿👎🏻: Emojis, Digital Blackface, and White Identity | Miranda Rosenblum

Does 👋🏻 mean something different than 👋🏾? What about ✊🏿 compared to ✊🏻? In 2015, Apple released a new array of emoji skin tones....

by Meghan Rosatelli April 11, 2018April 16, 2018
Features

The Word on the Street is not a Word: It’s An 😄 | Grace O’Brien

The newfound popularity of emojis and emoticons can be attributed to the human need for nonverbal communication, representing language progression and evolution.  They serve...

by Meghan Rosatelli April 19, 2016March 24, 2021
Columns Damian Hondares

Language in the Age of Context Collapse

My phone vibrates. I look down. It’s a message from my girlfriend. I just told her that I had to go for a couple...

by Meghan Rosatelli November 18, 2015November 6, 2018
Features

Social Media: Keeping Service Personnel Connected, One Deployment at a Time | Julia Hall

Lest I should not be able to write again, I feel impelled to write a few lines that may fall under your eye. I...

by Meghan Rosatelli April 7, 2015October 26, 2020

Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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Digital America 2022
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