Oogle | Jenna deBoisblanc
Jenna deBoisblanc’s Oogle (2020) is an interactive web piece that allows the user to navigate the house of deBoisblanc through a mimic of the...
The Process of Paint | Jennie Thwing
In The Process of Paint (2021), Jennie Thwing explores the intersection between traditional art, sound, and animation. Installation elements were created using paper, paint,...
href.place | Vidya Giri
href.place (2024) is an ongoing project that translates the digital experience of web browsing into the tactile tradition of postcards. Recommended links are submitted,...
Hyperreality | Quincy Kmetz
Quincy Kmetz’s Hyperreality series (2020-2021) is a take on traditional narrative paintings and consists of five painted “pages” coming together to form an immersive...
Crowded Dreams | Ai-Chun Huang
Crowded Dreams (2021) uses the same animation style as Huang’s The Manipulation of Life, and continues her exploration of desire, but this time through...
Manipulation of Life | Ai-Chun Huang
Ai-Chun Huang’s The Manipulation of Life (2021) is a video piece that uses a collage-like stop motion animation style to explore the ways in...
No Turn on Red | Jody Zellen
Jody Zellen’s No Turn on Red (2024) performs a metaphor and meditation on motion and waiting for motion. Taking the form of an interactive,...
HIC SVNT DRACONES | Benna Gaean Maris
Benna Gaean Maris’s Hic Svnt Dracones (2023) is a code file implementing robot.txt blocks which are protected under the Robots Exclusion Protocol. The piece of...
Goodbye Payton | Emily d’Achiardi
“Goodbye Payton” (2023) curates the endings, beginnings, and middle of a crumbling relationship using audio recordings, transcripts, and hand-written letters. An entirely web-based piece,...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...