brat but it’s totally not brat just you | Emily d’Achiardi
Emily d’Achiardi’s brat but it’s totally not brat just you (2024) is an interactive web piece that cuts up and reformulates musical artist’s Charlie XCX’s...
can-you-hear-me-over-the-files | Lu Gillespie
Lu Gillespie’s can-you-hear-me-over-the-files (2024) is an interactive, conceptual piece that orchestrates through a series of commands on the user’s personal device. The files are...
Next to You (in-malibu.mx) | Rodrigo Nava Ramirez
Next to You (in-malibu.mx) is a website where Rodrigo Nava Ramirez has been singing “Malibu” by Miley Cryrus on a loop since 2017—the year...
As Real as the Here | Vivian Charlesworth
Calling upon early internet themes of hypertextual storytelling and fragmented narratives, artist Vivian Charlesworth creates an alternative reality in the VR piece As Real...
CLOSE TO YOU | Emily Sasmor
Emily Sasmor’s CLOSE TO YOU (2024) is an animated visual opera exploring queer love through 55 androgynous characters— “Drifters.” The work is live streamed...
julianne | Julianne Aguilar
julianne (2024) reflects a year-long exploration into both appearing and disappearing on the internet. Mexican-American artist Julianne Aguilar is motivated to bring back the...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
Flower Burial | Nathan Harper
In Flower Burial (2024) Nathan Harper explores the ironic disembodiment of healthcare by manipulating personal experiences with medical debt collection while alluding to early...
href.place | Vidya Giri
href.place (2024) is an ongoing project that translates the digital experience of web browsing into the tactile tradition of postcards. Recommended links are submitted,...
No Turn on Red | Jody Zellen
Jody Zellen’s No Turn on Red (2024) performs a metaphor and meditation on motion and waiting for motion. Taking the form of an interactive,...