Lindsay-Ann Chilcott | Q + A
Digital America interviewed Lindsay-Ann Chilcott in April 2023 about selections from her collection Cyborg Series. ::: Digital America: In Cyborg Series, you examine the...
Harm | Dalena Tran
Harm (2022) directed by artist Dalena Tran, with character animation by Katrina Sung and music by Beacon (Thomas Mullarney and Jacob Gossett), focuses on...
Andrew Jones | Q + A
Digital America interviewed Andrew Jones in November 2022 about his work “Just A Spoonful of Musings Helps Reality Go Down…” Andrew was a longtime...
Kenta Murakami | Q+A
Digital America interviewed Kenta Murakami in November 2022 about their work Flickr Friends (2009). Kenta was a longtime student and contributor to Digital America...
Response to Yosemite | Kathleen Firment
Opening on a distorted desktop wallpaper of mountains, “Yosemite” (2021) is a performance: there is a feigned interaction between user and web, simulating cybernetic...
A Butterfly in the Cloud | Eryk Salvaggio
Eryk Salvaggio, in his video piece A Butterfly in the Cloud (2021), explores the relationship between nature and technology. Salvaggio employs artificial intelligence to...
Jinu Hong | Q+A
Digital America interviewed Jinu Hong in early April 2021 to discuss his work A Flexible Mode (2019) and the nature of collage in the virtual realm. :::...
Plastystopia | Roya Ebtehaj
In Plastystopia, artist Roya Ebtehaj uses multimedia displays to portray the influence of capitalism and Western beauty aesthetics on a universal scale, with a...
True Match | Andrea Mikysková
True Match (2017) is a short video piece that questions and comments on how social media functions within capitalism. Andrea Mikysková uses stock footage...
Colin Rosati | Q+A
In this interview, Colin Rosati gives us insight into the inspiration and creative process behind Pollinating Proxies (2019), and themes and conversations throughout his...