Response to dead account | Sarah Wirth
As we grow our relationship with technology, we are forced to reconcile what artist Denver Nuckolls refers to as the “current device based climate.”...
Denver Nuckolls | Q+A
Digital America interviewed Denver Nuckolls in November 2023 about their piece, dead account (2023). ::: Digital America: In dead account you delve into the...
dead account | Denver Nuckolls
An EP of six songs, “dead account” aurally explores the relationship between humans and technology. Meant to be listened to in order, the difference...
Lu Gibson | Q+A
Digital America interviewed Lu Gibson in November 2023 on her piece Making sense of what pieces were left. ::: Digital America: “Making sense of...
Response to Marketing Keeled Free Web Like A Storm | Quintarius Jefferies
Benna Gaeane Maris’s ingeniously crafts a clever parody of The Buggles’ iconic song “Video Killed the Radio Star” (1979) titled Marketing Keeled Free Web...
Lindsay-Ann Chilcott | Q + A
Digital America interviewed Lindsay-Ann Chilcott in April 2023 about selections from her collection Cyborg Series. ::: Digital America: In Cyborg Series, you examine the...
Harm | Dalena Tran
Harm (2022) directed by artist Dalena Tran, with character animation by Katrina Sung and music by Beacon (Thomas Mullarney and Jacob Gossett), focuses on...
Andrew Jones | Q + A
Digital America interviewed Andrew Jones in November 2022 about his work “Just A Spoonful of Musings Helps Reality Go Down…” Andrew was a longtime...
Kenta Murakami | Q+A
Digital America interviewed Kenta Murakami in November 2022 about their work Flickr Friends (2009). Kenta was a longtime student and contributor to Digital America...
Response to Yosemite | Kathleen Firment
Opening on a distorted desktop wallpaper of mountains, “Yosemite” (2021) is a performance: there is a feigned interaction between user and web, simulating cybernetic...