POV: Scratching compact discs of sentimental value | Miguel Gallego
POV: Scratching compact discs of sentimental value (2025), investigates human relationships with the outmoded medium of CDs via their digital and tangible properties. Gallego...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
CLOSE TO YOU | Emily Sasmor
Emily Sasmor’s CLOSE TO YOU (2024) is an animated visual opera exploring queer love through 55 androgynous characters— “Drifters.” The work is live streamed...
As Real as the Here | Vivian Charlesworth
Calling upon early internet themes of hypertextual storytelling and fragmented narratives, artist Vivian Charlesworth creates an alternative reality in the VR piece As Real...
Sarah Lasley | Q+A
Digital America interviewed Sarah Lasley in November of 2024 on her work Welcome to the Enclave. ::: Digital America: In your animated film Welcome...
Vivian Charlesworth | Q+A
Digital America interviewed Vivian Charlesworth in November of 2024 on her work As Real as the Here. ::: Digital America: Your virtual reality film,...
Manipulation of Life | Ai-Chun Huang
Ai-Chun Huang’s The Manipulation of Life (2021) is a video piece that uses a collage-like stop motion animation style to explore the ways in which...
Response to Ai-Chun Huang’s work | Olivia George
Crowded Dreams (2019) and The Manipulation of Life (2020) are animated collage pieces created by artist Ai-Chun Huang that immediately transport the audience into...
Crowded Dreams | Ai-Chun Huang
Crowded Dreams (2021) uses the same animation style as Huang’s The Manipulation of Life, and continues her exploration of desire, but this time through...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...