In Streets (2020), artist Michael Seh creates abstract layers of convolutional patterns using 70,000 images of New York City streets. Streets explores the enormity...
In Plastystopia, artist Roya Ebtehaj uses multimedia displays to portray the influence of capitalism and Western beauty aesthetics on a universal scale, with a...
In I Voted (2020), artist Megan Kozal uses embedded video clips to examine American news consumption, voter education, and voter apathy. Kozal’s minimalistic web...
In the digital collage series, Click, Drag, Nip, Tuck (2019), Luke Malcynsky sheds light on the powerful influence of social media, digital photo-editing tools and...
In Marina Tinone’s lyrical essay HMU (2020), they produce an intimate portrait of the narrator’s relationship with a phone. Using allegory and repetition, Tinone...
In Spukhafte Fernwirkung (2019), Kailum Graves compacts the endless, challenging landscape of Iceland into a 36-minute time lapse video comprised of images (640×480) taken...
Spukhafte Fernwirkung (2019) compacts the endless, challenging landscape of Iceland into a 36-minute time-lapse of images (640×480) collected from www.road.is, a website for monitoring...
