“Goodbye Payton” (2023) curates the endings, beginnings, and middle of a crumbling relationship using audio recordings, transcripts, and hand-written letters. An entirely web-based piece,...
Emily d’Achiardi’s brat but it’s totally not brat just you (2024) is an interactive web piece that cuts up and reformulates musical artist’s Charlie XCX’s...
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...
“Occupation” (2023) is a video performance piece that examines the ideas surrounding work, addressing both the work climate of the post-pandemic era and injurious...
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...
Believe in us but not too much (2022) is an immersive digital exhibition that explores themes of the paranormal, specifically Pijoan’s own obsession and...
Deliberate Decoding (2023) presents an interactive, browser-based hyperlink artwork delving into the artist’s exploration of digital art. In this immersive experience, the artist grapples...
