Occupation | Coalfather Industries
“Occupation” (2023) is a video performance piece that examines the ideas surrounding work, addressing both the work climate of the post-pandemic era and injurious...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...
Believe in us but not too much | Adrian Pijoan
Believe in us but not too much (2022) is an immersive digital exhibition that explores themes of the paranormal, specifically Pijoan’s own obsession and...
Deliberate Decoding | Ellen Hart
Deliberate Decoding (2023) presents an interactive, browser-based hyperlink artwork delving into the artist’s exploration of digital art. In this immersive experience, the artist grapples...
Making sense of what __ pieces were left… | Lu Gibson
“Making sense of what ___ pieces were left…” (2023) uses a series of nine digital collage and written short pieces to tell stories of...
./configure | Bryan Valdes
“./configure” (2023) is a series of crude and binary video collages that are meant to be a digital mirror to the transient nature of...
dead account | Denver Nuckolls
An EP of six songs, “dead account” aurally explores the relationship between humans and technology. Meant to be listened to in order, the difference...
Response to Patient Object | Emma C. Johnson
/app_spring_23/ is a video piece in response to Terry Cole’s Patient Object (2022). Filmed in the Shenandoah Mountains with a VHS camera and Sony...
Response to Goodbye Payton | Emma C. Johnson
after the fight is a rumination on the end of a 5 year relationship. Filmed at meaningful locations with text from journal entries written...
Family Photo Album | Ziyi Zhang
Ziyi Zhang’s Family Photo Album (FPA) (2023) is an interactive, browser-based work of art that explores the artist’s “bestie,” a Chinese international student who...