In his video piece Edgelands (2020), Jonathan Hanahan juxtaposes distorted, AI-generated images depicting midwestern landscapes combined with illegal e-waste dumpsites in Africa, Asia, and...
In his digital zine VIRONOMICON (2020), Eric Millikin incorporates a moribund collection of: cut-up incantation poems assisted by an AI trained to study writings...
Sounds are an increasingly prevalent form of digital art, which Julia Fairbrother strongly demonstrates through one of her most recent works, The Sounds That...
In Li Zhongkai’s Gazing, an interactive five channel video positions viewers in a world where “the gaze” asserts authority. In his schematic, Zhongkai introduces...
In an increasingly digital world what is happening to the artifact? Essays, art, and digital histories all exist online, in a space independent from...
In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at...
Spukhafte Fernwirkung (2018) compacts the endless, challenging landscape of Iceland into a 36-minute time lapse of images (640×480) collected from www.road.is, a website for...