Island Fishing | Chris Ritson
Island Fishing is a video loop created from digitally composited, handmade, stop-motion animations. It uses traditional Japanese kirigami forms (cut-and-glue origami) to manipulate depictions...
On Digital Sexuality: Emergence and Digital Art | Brandon Gellis
Within the United States, responses toward LGBTQ communities by the culture at large (the mainstream culture) have transformed within the last 100 years....
Our Asphalt Playground: The Parking Lot Project | Izzy P., Kenta M., and Miranda R.
:: Dig a hole. Shovel the dirt into a wheelbarrow. Dump the dirt back into the hole. :: Contemplate loss on a stump. ::...
Along for the Ride: The Implications of Extended Memory, Lifelogging, and the Quantified Self | Dora O’Donnell
Currently, lifelogging is defined as the activity of producing a continual record of your everyday life by carrying a portable camera and/or other digital...
Making Love: Poetry in Motion | Tal and Omer Golan
Editors’ Note: This piece has since been removed from the journal. There is a random aspect to love. We can not predict who we...
EGO LIBIDO | Keaton Fox
The Ego Libido Series is a collection of thirty video art experiments that analyze the perceptual complexities of digital reflection. The five selections featured...
Little Boy | Daniel Wechsler
As images and video footage of war and terror are inescapable in the Digital Age, we grow paradoxically overwhelmed and numb at the sacrifice...
Social Media: Keeping Service Personnel Connected, One Deployment at a Time | Julia Hall
Lest I should not be able to write again, I feel impelled to write a few lines that may fall under your eye. I...
Removed | Eric Pickersgill
Removed avails performance, portraiture, and photography to question the physical utility of personal devices and the ways they influence society, relationships, and the body....
“Mosaic” & “Nation Time” | Christine Lucy Latimer
Christine Lucy Latimer’s videos explore the movement between film and video, navigating the disparate quality and temporality of the two mediums. In Mosaic she uses footage of...