Xavier McFarlin | Selected works
The following selected works explore various performative poses as the artist becomes both model and creator, passive poseur and provocateur. McFarlin utilizes bold colors,...
Judith Sönnicken, The Fearless Leader We Never Knew We Needed: A Response to Google Gardening | Hannah Grow
As users immersed in this digital world, our data is collected, harvested, used and then concealed from us, despite being the creators. Judith Sönnicken...
Please step out of the frame | Karissa Hahn
Please step out of the frame uses Super 8, a desk, and a laptop to create a playful and thoughtful visual study of the...
Xavier McFarlin | Q+A
In this interview, Xavier McFarlin talks about the process behind his artistic decisions as well as his experience growing up in Japan as a...
Google Gardening | Judith Sönnicken
Judith Sönnicken’s Google Gardening replicates the street view function within Google Maps in which panoramas try to mirror the physical experience of a place....
Kia Miakka Natisse | Q+A
Kia Miakka Natisse is a passionate storyteller. She has a Master of Arts from NYU’s Gallatin School of Individualized Studies — where she concentrated...
Escape | Vi Trinh
Escape is an existential horror interactive experience disguised as a video game. After the end of the world, the absurdly rich have built an...
The Human Touch | Jody Zellen
Jody Zellen’s The Human Touch is a series of Los Angeles street art animations that playfully opens a new dimension to public art. Zellen’s...
Onions | Kia Miakka Natisse
Onions places the viewer in the moment when a writer struggles to construct an honest narrative about her struggle with “hiding or ignoring” her...
“Rogers’ & Jackson’s Hypertexts As Feminist Museums of Power” | Christine Sloan Stoddard
The multimedia work of New York artist Bunny Rogers (b. 1990) is “not without its antecedents,” to borrow the words of the architect and...