Gestures & Right to Left | Dowon Yoo
Artist Dowon Yoo deconstructs the westernized point of view through digital production tools. In Gesture (2020), Yoo partially obscures videos from the Sanggye Olympics;...
Volumetric Portrait | Amanda VanValkenburg
Experimenting with technology intended for VR, artist Amanda VanValkenburg brings images of deceased Brazilian creatives to life. A portrait of Clarice Lispector, a revolutionary...
Promise Burden Prompt Origin Defense Palette Call | Damon Pham
In his video piece, Promise Burden Prompt Origin Defense Palette Call (2022), Damon Pham invites the viewer into the inner workings of his mind....
How Long After This Before I’m Gone? | Katina Bitsicas
How long after this before I’m gone? (2021) is an interactive AR project featuring a digital drawing of mantle cell lymphoma cells, the type...
Elsewhere | Margaret Noble
Elsewhere (2022) is a portal to over forty live camera feeds stationed in nature worldwide. The project acts as a soothing window to such...
Dowon Yoo | Q + A
Digital America interviewed Dowon Yoo in April 2023 about his pieces Gestures (2020) & Right to Left (2022). ::: Digital America: In your piece,...
Ryota Matsumoto | Q + A
Digital America interviewed Ryota Matsumoto in April 2023 about his piece Electric Flesh and Anatomical Intervention. ::: Digital America: You have a rich background...
Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...
Ziyi Zhang | Q + A
Digital America interviewed Ziyi Zhang in April 2023 about her piece Family Photo Album (2022). ::: Digital America: In Family Photo Album (FPA) you...
Katina Bitsicas | Q + A
Digital America interviewed Katina Bitsicas in April 2023 about her piece, How long after this before I’m gone? (2021). ::: Digital America: How long...