Fields | Arden Schager
The Fields (2025) is an interactive web piece that allows users to create and add an emoji field to a shared space of contributions....
Wipe out red dots | Yuwen Huang
Wipe out Red Dots (2023) is an interactive piece that forces us to face the exploitation of our attention from UI notifications. Utilizing the...
Arden Schager | Q+A
Digital America interviewed Arden Schager in April of 2025 on his work the The Fields. ::: Digital America: The Fields (2023) is a collaborative...
Response to collectiblr | Ellie Holdsworth
Whether it be as trivial as a plastic grocery bag or a family heirloom, every human being inflicts personal value on the objects that...
Andy DiLallo | Q+A
Digital America interviewed Andy DiLallo in April 2022 about his piece Steal this Sticker (2022) and multimedia art. ::: DA: Most of your work...
Steal this Sticker | Andy DiLallo
Andy DiLallo’s Steal This Sticker (2021) critiques how capitalist values have shifted cultural belief systems thus straying humanity from a “collective care network.” The...
All They Can | Zoe Chronis
All They Can (2019) is a web-based sentence generator by artist Zoe Chronis that explores pronoun swapping as a democratic discourse. The text for...
Yosemite | Jenna deBoisblanc
Yosemite (2021) is a “netscape” that explores cyber-realities and their relation to real-world issues. deBoisblanc highlights our obsession with idyllic nature imagery as desktop backgrounds,...
Response to Yosemite | Kathleen Firment
Opening on a distorted desktop wallpaper of mountains, “Yosemite” (2021) is a performance: there is a feigned interaction between user and web, simulating cybernetic...
Avenue S | Jody Zellen
In Avenue S (2020), Jody Zellen explores the changing human landscape of Los Angeles during COVID-19. An expansion of Zellen’s ongoing project, Ghost City,...