Judith Sönnicken, The Fearless Leader We Never Knew We Needed: A Response to Google Gardening | Hannah Grow
As users immersed in this digital world, our data is collected, harvested, used and then concealed from us, despite being the creators. Judith Sönnicken...
Smiling Through The Pain: A Response To Late Capitalist GIF Thoughts | Rachel Bochner
“Happy Hump Day😜!” “Almost the weekend…😅” “TGIF!🙌🏽” Some might call this ‘smiling through the pain.’ The term “late capitalism” has recently become a particularly...
Cybernated Frames: A Response to Please Step Out of the Frame | Yuwei Lin
I stepped into a frame in which artist Karissa Hahn allows for no escape. Just as how Nam June Paik employed a conceptual use...
Reexamining the “Real”: A Response to STRANGERS COWBOYS | Izzy Pezzulo
Emily Sasmor’s STRANGERS COWBOYS is a journey that takes place over time, with many different elements, exploring the lives of (unnamed) characters taking place...
(I think it’s real even though I know it’s not): Response to Hyperobjects | Jessica Mairena
Bryan Meador’s Hyperobjects are a collection of mutated representations of nature specifically designed to play with viewer perception. It absolutely succeeds. When viewing these...
Let’s Talk about (T)ogether : A Response | Jessica Mairena
Noah Daum’s TOGETHER provides harrowing and provocative juxtapositions of graphics and found objects to create uniquely relevant amalgamations. The artist states that these works...
Resurrecting the Patchwork Girl in the Pain Index | Izzy Pezzulo
“I am buried here. You can resurrect me, but only piecemeal. If you want to see the whole, you will have to sew me...
The Digital Artifact: Reaction to “Alternative Artifact”
The artifact is affirmation. It is the index of that which came before; the something that sits as evidence of time to remind viewers...