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Digital America

Tag: Response

Features

The Station | A Response by Gabi Williams

“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand...

by Meghan Rosatelli April 28, 2020September 14, 2020
Features

A Response To True Match | Kate Wiley

In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....

by Meghan Rosatelli December 4, 2019December 4, 2019
Features

Defying giants: A Response to Airborne Fulfillment Center Patent: US9305280B1 | Nícolas Silva

Believe it or not, Amazon actually has a patent for a flying warehouse.   It’s called Airborne Fulfillment Center, and its patent details a...

by Meghan Rosatelli December 4, 2019December 4, 2019
Google Gardening, Judith Sönnicken
Features

Judith Sönnicken, The Fearless Leader We Never Knew We Needed: A Response to Google Gardening | Hannah Grow

As users immersed in this digital world, our data is collected, harvested, used and then concealed from us, despite being the creators. Judith Sönnicken...

by Meghan Rosatelli April 10, 2019April 10, 2019
Features

Smiling Through The Pain: A Response To Late Capitalist GIF Thoughts | Rachel Bochner

“Happy Hump Day😜!” “Almost the weekend…😅” “TGIF!🙌🏽” Some might call this ‘smiling through the pain.’ The term “late capitalism” has recently become a particularly...

by Meghan Rosatelli November 28, 2018
Please step out of the frame, Karissa Hahn
Features

Cybernated Frames: A Response to Please Step Out of the Frame | Yuwei Lin

I stepped into a frame in which artist Karissa Hahn allows for no escape. Just as how Nam June Paik employed a conceptual use...

by Meghan Rosatelli November 28, 2018April 10, 2019
Features

Reexamining the “Real”: A Response to STRANGERS COWBOYS | Izzy Pezzulo

Emily Sasmor’s STRANGERS COWBOYS is a journey that takes place over time, with many different elements, exploring the lives of (unnamed) characters taking place...

by Meghan Rosatelli April 11, 2018March 29, 2021
Features

(I think it’s real even though I know it’s not): Response to Hyperobjects | Jessica Mairena

Bryan Meador’s Hyperobjects are a collection of mutated representations of nature specifically designed to play with viewer perception. It absolutely succeeds. When viewing these...

by Meghan Rosatelli April 11, 2018April 11, 2018
Features

Let’s Talk about (T)ogether : A Response | Jessica Mairena

Noah Daum’s TOGETHER provides harrowing and provocative juxtapositions of graphics and found objects to create uniquely relevant amalgamations. The artist states that these works...

by Meghan Rosatelli November 29, 2017November 29, 2017
Features

Resurrecting the Patchwork Girl in the Pain Index | Izzy Pezzulo

“I am buried here. You can resurrect me, but only piecemeal. If you want to see the whole, you will have to sew me...

by Meghan Rosatelli November 29, 2017
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Editor's Note:

Welcome to the 21st issue of Digital America! We’re a class and arts journal with a focus on digital media and post-internet art. Each semester over the past decade, students at the University of Richmond have come together to curate, edit, and publish compelling and innovative digital art that breaks conventional artistic boundaries. Our Spring 2023 issue features work that explores cultural schisms, identity, loss and discovery. We’re particularly excited by the many web-based works in this issue. We honor and celebrate every artist and student contributor for their time and commitment to our flourishing project. Enjoy!

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Digital America 2023
  • Issue no. 21
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