Response to collectiblr | Ellie Holdsworth
Whether it be as trivial as a plastic grocery bag or a family heirloom, every human being inflicts personal value on the objects that...
Response to Virtual Worker Diaries | Ryan Keep
Forest Kelley’s Virtual Worker Diaries (2022) offers a sobering view on “micro-labor,” and the inherent physical and emotional distancing that characterizes a digital workforce....
Carnal Politics: A Response to Dear Vern | Tra My Anderson
Corporeal, carnal, erotic—the body as a space in which politics are waged is an inevitable reality. In spite of every effort to dissociate belief...
Response to Dark Parts | Ellie Holdsworth
Through both a visual and audible experience, Becky Brown explores the liminal space of the home in her video piece Dark Parts (2020). We...
Response to Deconstructing Whiteness | Que Peterson
As we come to the end of 2020, we can look back at the events that landed us in what felt like a parallel...
Response to The Sounds That Divide Us | Ellie Holdsworth
Sounds are an increasingly prevalent form of digital art, which Julia Fairbrother strongly demonstrates through one of her most recent works, The Sounds That...
Response to Gazing | Alexis Angelus
In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at...
The Station | A Response by Gabi Williams
“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand...
A Response To True Match | Kate Wiley
In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....
Defying giants: A Response to Airborne Fulfillment Center Patent: US9305280B1 | Nícolas Silva
Believe it or not, Amazon actually has a patent for a flying warehouse. It’s called Airborne Fulfillment Center, and its patent details a...