Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...
Response to Elsewhere | Caroline Stevens
Margaret Noble’s Elsewhere, publishing in Digital America Issue 21, is an interactive website link compiled of a live camera feed depicting more than forty...
Response to How Long After This Before I’m Gone? | Jax Donohue
Katina Bitsicas’ piece How Long After This Before I’m Gone? resonates with me. Bitsicas created an interactive augmented reality project showcasing a digital illustration...
Response to collectiblr | Ellie Holdsworth
Whether it be as trivial as a plastic grocery bag or a family heirloom, every human being inflicts personal value on the objects that...
Response to Virtual Worker Diaries | Ryan Keep
Forest Kelley’s Virtual Worker Diaries (2022) offers a sobering view on “micro-labor,” and the inherent physical and emotional distancing that characterizes a digital workforce....
Carnal Politics: A Response to Dear Vern | Tra My Anderson
Corporeal, carnal, erotic—the body as a space in which politics are waged is an inevitable reality. In spite of every effort to dissociate belief...
Response to Dark Parts | Ellie Holdsworth
Through both a visual and audible experience, Becky Brown explores the liminal space of the home in her video piece Dark Parts (2020). We...
Response to Deconstructing Whiteness | Que Peterson
As we come to the end of 2020, we can look back at the events that landed us in what felt like a parallel...
Response to The Sounds That Divide Us | Ellie Holdsworth
Sounds are an increasingly prevalent form of digital art, which Julia Fairbrother strongly demonstrates through one of her most recent works, The Sounds That...
Response to Gazing | Alexis Angelus
In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at...