Response

The interactive video element of gazing

Response to Gazing | Alexis Angelus

In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at once, the interpreted becomes interactive. With a user’s enabled webcam, Li plants their face into a revolving video channel with five other strangers. By moving the…

The Station | A Response by Gabi Williams

“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand scheme of time, humans have not existed long at all. Regardless, we have made irreversible changes to the Earth in the age of the Anthropocene. And…

A Response To True Match | Kate Wiley

In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world. Abrupt alarms and whistling horns signal the beginning of a work day and positions social media—the stated subject of the piece—firmly within the realm of business….

Smiling Through The Pain: A Response To Late Capitalist GIF Thoughts | Rachel Bochner

“Happy Hump Day😜!” “Almost the weekend…😅” “TGIF!🙌🏽” Some might call this ‘smiling through the pain.’ The term “late capitalism” has recently become a particularly popular phrase used to refer to and criticize our modern economy. I interpret Fidelia Lam’s GIFs as a reaction to the overwhelming emphasis on hyper-productivity that…

Let’s Talk about (T)ogether : A Response | Jessica Mairena

Noah Daum’s TOGETHER provides harrowing and provocative juxtapositions of graphics and found objects to create uniquely relevant amalgamations. The artist states that these works are meant to be viewed in the context of together (stylized TOGETHER), which he claims to be a “fictional dystopic society that attracts people into joining,…