Mirrored Perspectives : A Response to MBA 2k16 | Imani Shackelford
Through its digital manipulation of Spike Lee’s cut scene from the videogame NBA 2k16, Adam Sulzdorf-Liszkiewicz’s MBA 2k16 (2017) is a satirical film that explores...
Living in Between | Maryam Khaleghi Yazdi
Maryam Khaleghi Yazdi’s Living in Between (2019) represents the political, cultural, and racial barriers migrants face. Each illustration depicts an aspect of a migrant’s...
100 Year Plan | Emotional.Store
100 Year Plan is an interactive live-cinema experience of a near-future online variety show by Scotty Wagner and Bailey Hikawa of the duo Emotional.Store....
Surfing the Underground | Richard Heckert
Surfing the Underground by Richard Heckert, is not, surprisingly, digital artwork. The drawings are created with Stabilo pens on color cardboard. The result, though,...
when the seasons change my feelings change | Pink Box
when the seasons change, my feelings change prompts the audience to reflect on the cycle of human life through the Kubler-Ross model of grief....
Pollinating Proxies | Colin Rosati
Pollinating Proxies uses footage from 20th century 16mm film to modern-day computer vision to portray how technology affects our interpretation of truth. Colin Rosati...
True Match | Andrea Mikysková
True Match (2017) is a short video piece that questions and comments on how social media functions within capitalism. Andrea Mikysková uses stock footage...
MBA 2k16 | Adam Liszkiewicz
In MBA 2K16, Adam Liszkiewicz uses Cheat Engine to modify MBA 2k16 cutscenes, replacing the face of a Harlem-born basketball player with a MIT-educated...
Xavier McFarlin | Selected works
The following selected works explore various performative poses as the artist becomes both model and creator, passive poseur and provocateur. McFarlin utilizes bold colors,...
Judith Sönnicken, The Fearless Leader We Never Knew We Needed: A Response to Google Gardening | Hannah Grow
As users immersed in this digital world, our data is collected, harvested, used and then concealed from us, despite being the creators. Judith Sönnicken...