Limen | Tra My Anderson
In Limen, a piece named after the Latin etymological origin of “liminal,” Tra My Anderson examines the connection between physical space and digitized space....
Response to Deconstructing Whiteness | Que Peterson
As we come to the end of 2020, we can look back at the events that landed us in what felt like a parallel...
Edgelands | Jonathan Hanahan
In his video piece Edgelands (2020), Jonathan Hanahan juxtaposes distorted, AI-generated images depicting midwestern landscapes combined with illegal e-waste dumpsites in Africa, Asia, and...
VIRONOMICON | Eric Millikin
In his digital zine VIRONOMICON (2020), Eric Millikin incorporates a moribund collection of: cut-up incantation poems assisted by an AI trained to study writings...
Listen to Big Data | Dong Yuxiang
In Listen to Big Data (2019), Dong Yuxiang creates an auditory environment for listeners to “meditate on the materiality of big data” and the...
Response to The Sounds That Divide Us | Ellie Holdsworth
Sounds are an increasingly prevalent form of digital art, which Julia Fairbrother strongly demonstrates through one of her most recent works, The Sounds That...
If i’m gay | Corrine Manderino
If i’m gay is a series of digital collages exploring the phenomenon of young LGBTQ+ people turning to the internet as an outlet for...
Gazing | Zhongkai Li
In Li Zhongkai’s Gazing, an interactive five channel video positions viewers in a world where “the gaze” asserts authority. In his schematic, Zhongkai introduces...
Digital Artifacts | Frances Gichner
In an increasingly digital world what is happening to the artifact? Essays, art, and digital histories all exist online, in a space independent from...
Response to Gazing | Alexis Angelus
In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at...