Spukhafte Fernwirkung | Kailum Graves
Spukhafte Fernwirkung (2018) compacts the endless, challenging landscape of Iceland into a 36-minute time lapse of images (640×480) collected from www.road.is, a website for...
The Station | A Response by Gabi Williams
“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand...
Streets | Michael Seh
In Streets (2020), artist Michael Seh creates abstract layers of convolutional patterns using 70,000 images of New York City streets. Streets explores the enormity...
Plastystopia | Roya Ebtehaj
In Plastystopia, artist Roya Ebtehaj uses multimedia displays to portray the influence of capitalism and Western beauty aesthetics on a universal scale, with a...
I Voted | Meghan Kozal
In I Voted (2020), artist Megan Kozal uses embedded video clips to examine American news consumption, voter education, and voter apathy. Kozal’s minimalistic web...
Click, Drag, Nip, Tuck | Luke Malcynsky
In the digital collage series, Click, Drag, Nip, Tuck (2019), Luke Malcynsky sheds light on the powerful influence of social media, digital photo-editing tools and...
When you think about painting do you think about something like this? | Ana Jovanovska
When you think about painting do you think about something like this? uses popular American cartoon clips to expose an often cited exclusivity of...
HMU | Marina Tinone
In Marina Tinone’s lyrical essay HMU (2020), they produce an intimate portrait of the narrator’s relationship with a phone. Using allegory and repetition, Tinone...
The Station | Vi Trinh
The Station is an interactive digital exploration of a post-apocalyptic space station. Based on of the Myth of Sisyphus, and tied to nostalgia as...
A Response to Spukhafte Fernwirkung | Truitt Dill
In Spukhafte Fernwirkung (2019), Kailum Graves compacts the endless, challenging landscape of Iceland into a 36-minute time lapse video comprised of images (640×480) taken...