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Digital America

Issue no. 6

The quick guide to Issue no. 6, published on March 15, 2016:

features. 

EGO LIBIDO| KEATON FOX

Little Boy| DANIEL WECHSLER

Vine: Redefining Racial Stereotyping In Six Seconds| JASON THAM

Making Love: Poetry In Motion| TAL AND OMAR GALAN

Along for the Ride: The Implications of Extended Memory, Lifelogging, and the Quantified Self| DORA O’DONNELL

Our Asphalt Playground: The Parking Lot Project| IZZY PEZZULO, MIRANDA ROSENBLUM, AND KENTA MURAKAMI

:::

contributors.

DANIEL FANINO
+TR-8R: Transmedia And The Internet’s Star Wars Hero
+Pixels And Pens: Delving The Dungeons Of The Digital Age

ANDREW JONES
+The Feds Vs. A Fruit
+Low Prices And Low Expectations
+Backseat Moderating

DAMIAN HONDARES
+Blackstar: Trolled By The Goblin King
+Language In The Age Of Context Collapse

MICHAEL LEONBERGER
+Here We Are Now, Entertain Us
+Tell Me What You Want (What You Really, Really Want)
+Millennialing A Murderer
+Friend For The Future
+The Amazing Spidey Fridge Logic
+Therapy TV

IZZY PEZZULO
+Missed Connections

KEATON FOX
+For Digital Graffiti

:::

reviews.

Push Pull: A Visual Analysis| NIA BURKS

On Fuckery: How Art Basel Miami Beach is just like all of your Shitty Relationships| NIA BURKS

Miley Cyrus and her Dead Petz| NORBERTO GOMEZ, JR.

Cloud Burst: A Review of Brian K. Vaughan’s Futuristic Comic Noir, The Private Eye| ANDREW JONES

Reviews: The Shadow of the Dome of Pleasure| HANA AOAKE AND MYA MIDDLETON

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extras.

Evolution

Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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Digital America 2022
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