Sarah Lasley | Q+A
Digital America interviewed Sarah Lasley in November of 2024 on her work Welcome to the Enclave. ::: Digital America: In your animated film Welcome...
Welcome to the Enclave | Sarah Lasley
Built with Unity during the Covid 19 pandemic, Sarah Lasley’s Welcome to the Enclave (2023) follows two sisters as they try to save their...
No Turn on Red | Jody Zellen
Jody Zellen’s No Turn on Red (2024) performs a metaphor and meditation on motion and waiting for motion. Taking the form of an interactive,...
The Process of Paint | Jennie Thwing
In The Process of Paint (2021), Jennie Thwing explores the intersection between traditional art, sound, and animation. Installation elements were created using paper, paint,...
Ai-Chun Huang | Q+A
Digital America interviewed Ai-Chun Huang in April of 2024 on her works Crowded Dreams and Manipulation of Life. ::: Digital America: In Crowded Dreams,...
Jody Zellen | Q+A
Digital America interviewed Jody Zellen in April of 2024 on her work No Turn on Red (2024). ::: Digital America: No Turn on Red...
Jennie Thwing | Q+A
Digital America interviewed Jennie Thwing in April of 2024 about her work The Process of Paint. ::: Digital America: In Process of Paint (2021), you’ve...
Response to No Turn on Red | Livi Palalay
Livi Palalay illustrated this animation in response to Jody Zellen’s work No Turn on Red (2024) to acknowledge themes of waiting and emphasize the...
Volumetric Portrait | Amanda VanValkenburg
Experimenting with technology intended for VR, artist Amanda VanValkenburg brings images of deceased Brazilian creatives to life. A portrait of Clarice Lispector, a revolutionary...
Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...