Jennie Thwing | Q+A
Digital America interviewed Jennie Thwing in April of 2024 about her work The Process of Paint. ::: Digital America: In Process of Paint (2021), you’ve...
Response to No Turn on Red | Livi Palalay
Livi Palalay illustrated this animation in response to Jody Zellen’s work No Turn on Red (2024) to acknowledge themes of waiting and emphasize the...
Volumetric Portrait | Amanda VanValkenburg
Experimenting with technology intended for VR, artist Amanda VanValkenburg brings images of deceased Brazilian creatives to life. A portrait of Clarice Lispector, a revolutionary...
Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...
Plastystopia | Roya Ebtehaj
In Plastystopia, artist Roya Ebtehaj uses multimedia displays to portray the influence of capitalism and Western beauty aesthetics on a universal scale, with a...
The Human Touch | Jody Zellen
Jody Zellen’s The Human Touch is a series of Los Angeles street art animations that playfully opens a new dimension to public art. Zellen’s...
Pete Burkeet | Q+A
Pete Burkeet’s piece Black Hole Son was published in Issue 12 of Digital America. In this interview Burkeet gives us insight into his making process...
STRANGERS COWBOYS | Emily Sasmor
STRANGERS COWBOYS is the second, third, and four acts of the multi-media, performative series HOTLINE FOR THE LOST, a six-act morality opera by Emily...
Emily Sasmor | Q + A
Emily Sasmor’s work STRANGERS COWBOYS was published in Issue 11 of Digital America. Sasmor talked with Digital America about her overarching series HOTLINE FOR...
THANK YOU | Vi Trinh
Vi Trinh’s animation, THANK YOU, explores the relationship between power and powerlessness, and thus casts the characters of humans, institutions, and animals. Trinh uses a...