Edit Ver. 1 | Chun Guo
Chun Guo’s Edit Ver. 1 (2024) is an visually rich animated video that explores how contemporary users attempt to construct and deconstruct their identity...
The Dark Database | Dennis Delgado
Dennis Delgado’s (2019-2020) The Dark Database is a series of ethereal portraits made by applying a combination of python script and facial recognition software...
Response to Patient Object | Emma C. Johnson
/app_spring_23/ is a video piece in response to Terry Cole’s Patient Object (2022). Filmed in the Shenandoah Mountains with a VHS camera and Sony...
Response to Goodbye Payton | Emma C. Johnson
after the fight is a rumination on the end of a 5 year relationship. Filmed at meaningful locations with text from journal entries written...
Gestures & Right to Left | Dowon Yoo
Artist Dowon Yoo deconstructs the westernized point of view through digital production tools. In Gesture (2020), Yoo partially obscures videos from the Sanggye Olympics;...
Volumetric Portrait | Amanda VanValkenburg
Experimenting with technology intended for VR, artist Amanda VanValkenburg brings images of deceased Brazilian creatives to life. A portrait of Clarice Lispector, a revolutionary...
Promise Burden Prompt Origin Defense Palette Call | Damon Pham
In his video piece, Promise Burden Prompt Origin Defense Palette Call (2022), Damon Pham invites the viewer into the inner workings of his mind....
How Long After This Before I’m Gone? | Katina Bitsicas
How long after this before I’m gone? (2021) is an interactive AR project featuring a digital drawing of mantle cell lymphoma cells, the type...
Elsewhere | Margaret Noble
Elsewhere (2022) is a portal to over forty live camera feeds stationed in nature worldwide. The project acts as a soothing window to such...
Response to FEELS LIKE SPAM | Emma Johnson
Johnson created and composed this animation in response to Keaton Fox’s FEELS LIKE SPAM, (2016) responding to themes of dehumanization in all aspects of...