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Digital America

Tag: Issue 8

Damian Hondares

Fear and Loathing in GTA V: Where the Wave Broke

“In a closed society where everybody’s guilty, the only crime is getting caught,” Hunter Thompson wrote in his 1971 novel Fear and Loathing in...

by Meghan Rosatelli December 7, 2016December 7, 2016
Features

Dept. of Cute | Crystal Beiersdorfer

“Digital culture is constantly altering the definition of what it means to be a “beautiful” woman, with the worshipping and glorification of the proper...

by Meghan Rosatelli December 6, 2016March 15, 2021
Features

Virtual Embodiment | Christina Smiros

Christina Smiros explores the tensions between technology and the self. In virtual embodidment, she forms and erases her “pixelated form” where she describes her...

by Meghan Rosatelli December 6, 2016March 29, 2022
Columns Michael Leonberger

Our American Monster

So much of this year has felt like the thing from the grave. Just a rotting monster pulling itself out of the crypt, skin...

by Meghan Rosatelli December 6, 2016April 11, 2017
Features Uncategorized

Blonde Women Looking Away | Szilvia Ruszev

In Blonde Women Looking Away, Szivlia Ruszev responds to The Broad Museum’s collection of artist and photographer Cindy Sherman alongside “Untitled Films Stills” from...

by Meghan Rosatelli December 6, 2016March 15, 2021
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Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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Digital America 2022
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