Response to Ai-Chun Huang’s work | Olivia George
Crowded Dreams (2019) and The Manipulation of Life (2020) are animated collage pieces created by artist Ai-Chun Huang that immediately transport the audience into...
Crowded Dreams | Ai-Chun Huang
Crowded Dreams (2021) uses the same animation style as Huang’s The Manipulation of Life, and continues her exploration of desire, but this time through...
Manipulation of Life | Ai-Chun Huang
Ai-Chun Huang’s The Manipulation of Life (2021) is a video piece that uses a collage-like stop motion animation style to explore the ways in...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...
Response to Patient Object | Emma C. Johnson
/app_spring_23/ is a video piece in response to Terry Cole’s Patient Object (2022). Filmed in the Shenandoah Mountains with a VHS camera and Sony...
Gestures & Right to Left | Dowon Yoo
Artist Dowon Yoo deconstructs the westernized point of view through digital production tools. In Gesture (2020), Yoo partially obscures videos from the Sanggye Olympics;...
Dowon Yoo | Q + A
Digital America interviewed Dowon Yoo in April 2023 about his pieces Gestures (2020) & Right to Left (2022). ::: Digital America: In your piece,...
The Motion Studies | Keaton Fox
In Motion Studies (2022), artist Keaton Fox urges us to slow down. Born from a fascination with slow tv, Fox’s Motion Studies are morphing...
Heavy-Eyed Tyrants and Boring Machine Operators | Kailum Graves
In Heavy-Eyed Tyrants and Boring Machine Operators (2020), Kailum Graves montages both past and present heads of state and members of the Group of...