I Voted | Meghan Kozal
In I Voted (2020), artist Megan Kozal uses embedded video clips to examine American news consumption, voter education, and voter apathy. Kozal’s minimalistic web...
Click, Drag, Nip, Tuck | Luke Malcynsky
In the digital collage series, Click, Drag, Nip, Tuck (2019), Luke Malcynsky sheds light on the powerful influence of social media, digital photo-editing tools and...
When you think about painting do you think about something like this? | Ana Jovanovska
When you think about painting do you think about something like this? uses popular American cartoon clips to expose an often cited exclusivity of...
HMU | Marina Tinone
In Marina Tinone’s lyrical essay HMU (2020), they produce an intimate portrait of the narrator’s relationship with a phone. Using allegory and repetition, Tinone...
The Station | Vi Trinh
The Station is an interactive digital exploration of a post-apocalyptic space station. Based on of the Myth of Sisyphus, and tied to nostalgia as...
A Response to Spukhafte Fernwirkung | Truitt Dill
In Spukhafte Fernwirkung (2019), Kailum Graves compacts the endless, challenging landscape of Iceland into a 36-minute time lapse video comprised of images (640×480) taken...
Escaping Apple Fish | Yangyang Chen
Escaping Apple Fish (2020) is a short video piece that comments on the informative fragmentation in the current cyber ecosystem. Yangyang Chen uses Apple’s...
Screen | Josh Gumiela
In Screen, Josh Gumiela uses an interactive video to reflect on the challenges immigrants have to face in pursuit of naturalization in the U.S....
Point Zero | Dho Yee Chung
In Point Zero (2019), Artist Dho Yee Chung generates digital prototypes of human figures. She isolates the viewer from human skin by creating layers...
A Response To True Match | Kate Wiley
In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....