Endangered Data | Zachary Dean Norman
Endangered Data responds to the growing concern that data which confirms anthropogenic global warming might be subject to manipulation, repression, or erasure by the...
Black Hole Son | Pete Burkeet
In Black Hole Son, Pete Burkeet takes the viewer on a visual rollercoaster of disastrous spectacle in American consumerism and culture. In 1986, Ohio released...
Immigrant Documentation | Linh Dao
In Immigrant Documentation, Linh Dao imagines a future where the immigration process mimics the ease, and flippancy, of our mobile culture. Here, the entirety of...
STRANGERS COWBOYS | Emily Sasmor
STRANGERS COWBOYS is the second, third, and four acts of the multi-media, performative series HOTLINE FOR THE LOST, a six-act morality opera by Emily...
👍🏿👎🏻: Emojis, Digital Blackface, and White Identity | Miranda Rosenblum
Does 👋🏻 mean something different than 👋🏾? What about ✊🏿 compared to ✊🏻? In 2015, Apple released a new array of emoji skin tones....
plant whispering | Izzy Pezzulo
plant whispering is a sound piece made for plants. Izzy Pezzulo is interested in making sound art for all beings, sentient or otherwise. Pezzulo...
10 yrs. Later | Carrie Edinger
10 yrs. Later is a sound art piece that explores the intersections of history and the presence and absence of community soundscapes lost. The...
Digital Material | Payton Baril & Caleb Gardner
Payton Baril and Caleb Gardner’s improvisational sound piece, Digital Material, explores the interaction between the physical and the digital. Through manual manipulation of multiple...
Without a Trace | Jody Zellen
Without a Trace slows down the streaming news cycle and asks us to take stock of the outline—the contrast—of the text and image presented. Jody...
THANK YOU | Vi Trinh
Vi Trinh’s animation, THANK YOU, explores the relationship between power and powerlessness, and thus casts the characters of humans, institutions, and animals. Trinh uses a...