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Digital America

Tag: Features

Features

Escaping Apple Fish | Yangyang Chen

Escaping Apple Fish (2020) is a short video piece that comments on the informative fragmentation in the current cyber ecosystem. Yangyang Chen uses Apple’s...

by Meghan Rosatelli April 21, 2020April 28, 2020
Features

Point Zero | Dho Yee Chung

In Point Zero (2019), Artist Dho Yee Chung generates digital prototypes of human figures. She isolates the viewer from human skin by creating layers...

by Meghan Rosatelli December 4, 2019December 4, 2019
Features

A Response To True Match | Kate Wiley

In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....

by Meghan Rosatelli December 4, 2019December 4, 2019
Features

Airborne Fulfillment Center Patent: US9305280B1 | Jason Isolini

Airborne Fulfillment Center is a 360-degree collage by Jason Isolini. The work is inserted in the Google Maps universe using Google Business View, a...

by Meghan Rosatelli December 4, 2019December 4, 2019
Features Reviews

Mirrored Perspectives : A Response to MBA 2k16 | Imani Shackelford

Through its digital manipulation of Spike Lee’s cut scene from the videogame NBA 2k16, Adam Sulzdorf-Liszkiewicz’s MBA 2k16 (2017) is a satirical film that explores...

by Meghan Rosatelli December 4, 2019December 4, 2019
Living in Between Maryam Khaleghi Yazdi
Features

Living in Between | Maryam Khaleghi Yazdi

Maryam Khaleghi Yazdi’s Living in Between (2019) represents the political, cultural, and racial barriers migrants face. Each illustration depicts an aspect of a migrant’s...

by Meghan Rosatelli December 4, 2019April 29, 2020
Features

Surfing the Underground | Richard Heckert

Surfing the Underground by Richard Heckert, is not, surprisingly, digital artwork. The drawings are created with Stabilo pens on color cardboard. The result, though,...

by Meghan Rosatelli December 4, 2019December 6, 2019
Features

when the seasons change my feelings change | Pink Box

when the seasons change, my feelings change prompts the audience to reflect on the cycle of human life through the Kubler-Ross model of grief....

by Meghan Rosatelli December 4, 2019
Features

Pollinating Proxies | Colin Rosati

Pollinating Proxies uses footage from 20th century 16mm film to modern-day computer vision to portray how technology affects our interpretation of truth. Colin Rosati...

by Meghan Rosatelli December 4, 2019December 4, 2019
Features

MBA 2k16 | Adam Liszkiewicz

In MBA 2K16, Adam Liszkiewicz uses Cheat Engine to modify MBA 2k16 cutscenes, replacing the face of a Harlem-born basketball player with a MIT-educated...

by Meghan Rosatelli November 20, 2019December 4, 2019
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Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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Digital America 2022
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