Edgelands | Jonathan Hanahan
In his video piece Edgelands (2020), Jonathan Hanahan juxtaposes distorted, AI-generated images depicting midwestern landscapes combined with illegal e-waste dumpsites in Africa, Asia, and...
VIRONOMICON | Eric Millikin
In his digital zine VIRONOMICON (2020), Eric Millikin incorporates a moribund collection of: cut-up incantation poems assisted by an AI trained to study writings...
Listen to Big Data | Dong Yuxiang
In Listen to Big Data (2019), Dong Yuxiang creates an auditory environment for listeners to “meditate on the materiality of big data” and the...
Response to The Sounds That Divide Us | Ellie Holdsworth
Sounds are an increasingly prevalent form of digital art, which Julia Fairbrother strongly demonstrates through one of her most recent works, The Sounds That...
If i’m gay | Corrine Manderino
If i’m gay is a series of digital collages exploring the phenomenon of young LGBTQ+ people turning to the internet as an outlet for...
Digital Artifacts | Frances Gichner
In an increasingly digital world what is happening to the artifact? Essays, art, and digital histories all exist online, in a space independent from...
Response to Gazing | Alexis Angelus
In Gazing (2019) Zhongkai Li explores voyeurism and authority. Li confronts the viewer with their own image projected upon a simple black screen; at...
Spukhafte Fernwirkung | Kailum Graves
Spukhafte Fernwirkung (2018) compacts the endless, challenging landscape of Iceland into a 36-minute time lapse of images (640×480) collected from www.road.is, a website for...
The Station | A Response by Gabi Williams
“Each person is temporal, but the ideas that mankind creates are eternal. It perpetuates itself” – A.I. Alex, The Station 1920s. In the grand...
Roya Ebtehaj | Q+A
Roya Ebtehaj is an Iranian multimedia artist and educator. In her piece Plastystopia (2019), Roya displays the influence of capitalism and western beauty standards on...