Click, Drag, Nip, Tuck | Luke Malcynsky
In the digital collage series, Click, Drag, Nip, Tuck (2019), Luke Malcynsky sheds light on the powerful influence of social media, digital photo-editing tools and...
When you think about painting do you think about something like this? | Ana Jovanovska
When you think about painting do you think about something like this? uses popular American cartoon clips to expose an often cited exclusivity of...
HMU | Marina Tinone
In Marina Tinone’s lyrical essay HMU (2020), they produce an intimate portrait of the narrator’s relationship with a phone. Using allegory and repetition, Tinone...
The Station | Vi Trinh
The Station is an interactive digital exploration of a post-apocalyptic space station. Based on of the Myth of Sisyphus, and tied to nostalgia as...
Kailum Graves | Q&A
Spukhafte Fernwirkung (2019) compacts the endless, challenging landscape of Iceland into a 36-minute time-lapse of images (640×480) collected from www.road.is, a website for monitoring...
Escaping Apple Fish | Yangyang Chen
Escaping Apple Fish (2020) is a short video piece that comments on the informative fragmentation in the current cyber ecosystem. Yangyang Chen uses Apple’s...
Point Zero | Dho Yee Chung
In Point Zero (2019), Artist Dho Yee Chung generates digital prototypes of human figures. She isolates the viewer from human skin by creating layers...
A Response To True Match | Kate Wiley
In the first thirty seconds of Andrea Mikysková’s True Match (2017), the viewer is rapidly confronted with imagery of our highly developed, global world....
Airborne Fulfillment Center Patent: US9305280B1 | Jason Isolini
Airborne Fulfillment Center is a 360-degree collage by Jason Isolini. The work is inserted in the Google Maps universe using Google Business View, a...
Mirrored Perspectives : A Response to MBA 2k16 | Imani Shackelford
Through its digital manipulation of Spike Lee’s cut scene from the videogame NBA 2k16, Adam Sulzdorf-Liszkiewicz’s MBA 2k16 (2017) is a satirical film that explores...