Goodbye Payton | Emily d’Achiardi
“Goodbye Payton” (2023) curates the endings, beginnings, and middle of a crumbling relationship using audio recordings, transcripts, and hand-written letters. An entirely web-based piece,...
CRUFT | Robert Spahr
From Robert Spahr’s series of Crufts, Digital America has chosen In Isolation (2021), Metastasize Cruft (2023), and Misdirection (Glenn Miller Disappeared) (2022). Spahr’s Crufts,...
Marketing Keeled Free Web Like a Storm | Benna Gaean Maris
Marketing Keeled Free Web Like a Storm (2022) is a parody music video of the Buggles’ cult classic Video Killed the Radio Star. With...
Occupation | Coalfather Industries
“Occupation” (2023) is a video performance piece that examines the ideas surrounding work, addressing both the work climate of the post-pandemic era and injurious...
Patient Object | Terry Cole
Terry Cole’s “Patient Object” (2022) aims to explore the digitization of memory. Filmed entirely on a flip phone, the piece embraces its “compressionist” and...
Believe in us but not too much | Adrian Pijoan
Believe in us but not too much (2022) is an immersive digital exhibition that explores themes of the paranormal, specifically Pijoan’s own obsession and...
Deliberate Decoding | Ellen Hart
Deliberate Decoding (2023) presents an interactive, browser-based hyperlink artwork delving into the artist’s exploration of digital art. In this immersive experience, the artist grapples...
Coalfather | Q+A
Digital America interviewed Coalfather in November 2023 about their piece Occupation (2023). ::: Digital America: In “Occupation” (2023) two masked and uniformed adults go...
./configure | Bryan Valdes
“./configure” (2023) is a series of crude and binary video collages that are meant to be a digital mirror to the transient nature of...
Response to dead account | Sarah Wirth
As we grow our relationship with technology, we are forced to reconcile what artist Denver Nuckolls refers to as the “current device based climate.”...