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Digital America

Tag: Music

Reviews

Drone 2: The Subversive Sound of Sunn O))) | Norberto Gomez

Originally presented at the Southeastern College Art Conference, Roanoke, Virginia, October, 2016 for the panel: Sound Art and Subjectivity. “Drone 2” is a continuing investigation into...

by Meghan Rosatelli February 8, 2017March 21, 2017
Reviews

A Moon Shaped Pool | Damian Hondares

Everyone has one of those formative moments in life, when they suddenly come to the realization that, in that moment, of all the infinitesimal...

by Meghan Rosatelli July 5, 2016November 28, 2018
Columns Damian Hondares

Blackstar: Trolled by the Goblin King

On November 19, 2015, I fell in love with a song that had just been posted on YouTube. Accompanied by a surrealist 10-minute music...

by Meghan Rosatelli February 17, 2016March 29, 2021
Reviews

Miley Cyrus and Her Dead Petz (2015) | Norberto Gomez, Jr.

I had a dream David Bowie taught us how to skateboard But he was shaped like Gumby -Cyrus, “Twinkle Song” There is something great...

by Meghan Rosatelli January 19, 2016October 15, 2021
Features

Broadside: An Interview

Emerging from a city deeply rooted in controversial history and a city known for Give Me Liberty or Give Me Death, BROADSIDE is resurrecting...

by Meghan Rosatelli April 1, 2015September 21, 2020
Reviews

The Haunting of the Pink Floyd Sound: A Review | Norberto Gomez, Jr.

PINK FLOYD THE ENDLESS RIVER (2014) CAPITOL RECORDS Pink Floyd is haunted. Haunted first by the ghost of Syd Barrett, co-founder and lead architect...

by Meghan Rosatelli January 7, 2015
Features Process Features

Stop the track, lemme state facts: Nightlife as Art Form

Madison Moore, culture maven extraordinarre, brings his course Nightlight as Art Form to the University of Richmond for the second time. And, really, what...

by Meghan Rosatelli April 2, 2014

Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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Digital America 2022
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