Family Photo Album | Ziyi Zhang
Ziyi Zhang’s Family Photo Album (FPA) (2023) is an interactive, browser-based work of art that explores the artist’s “bestie,” a Chinese international student who...
Electric Flesh & Anatomical Intervention | Ryota Matsumoto
Using a hybrid of digital and physical media, artist Ryota Matsumoto creates busy, vibrant layers of organically shaped oddities. In Electric Flesh and Anatomical...
Response to Elsewhere | Caroline Stevens
Margaret Noble’s Elsewhere, publishing in Digital America Issue 21, is an interactive website link compiled of a live camera feed depicting more than forty...
Response to How Long After This Before I’m Gone? | Jax Donohue
Katina Bitsicas’ piece How Long After This Before I’m Gone? resonates with me. Bitsicas created an interactive augmented reality project showcasing a digital illustration...
Response to Promise Burden Prompt Origin Defense Palette Call | Peyton Galli
Self-reflection is the act of meditation or serious thought about one’s character, actions, and motives. When thinking of self-reflection my mind goes to the...
Response to Family Photo Album | Aylin Bruce
Ziyi Zhang’s Family Photo Album explores the relationship—and tensions—between cultures and personal art practice. Family Photo Album allows the viewer to explore the multi-dimensional...
Splice Lines | Clint Enns
Splice Lines (2012) consists of two artworks, an image montage and a short film, each constructed from the isolated splice lines in Kurt Kren’s...
The Motion Studies | Keaton Fox
In Motion Studies (2022), artist Keaton Fox urges us to slow down. Born from a fascination with slow tv, Fox’s Motion Studies are morphing...
Harm | Dalena Tran
Harm (2022) directed by artist Dalena Tran, with character animation by Katrina Sung and music by Beacon (Thomas Mullarney and Jacob Gossett), focuses on...
Response to FEMME | Qing Shen
Inspired by Crystal Beiresdorfer’s FEMME: A Manifesto, artist Qing Shen explored a response through the piece Pink Tree (2022). Shen was deeply influenced by...