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Digital America

Issue no. 1

The quick guide to Issue no. 1, published on October 21, 2013:

features.

The Millennium Map Experience | CELIA LANDESBURG

The Male Domain: Exclusion Of Women In Video Games | KAYLEIGH CONNER

Internet Profiles: The Identities The Web Has Created For Us | ANGELA POLINSKY

Al-Qaeda’s Media Strategy (An Excerpt) | REBECCA EARNHARDT

Gaming The University Of Richmond | ANDREW JONES

Designing Cities Of The Future | KRISTIN SCOTT

Unplugged: A 24-Hour Media Fast | NICOLE MAURANTONIO

Branding Digital America | SARAH KING

Fashion Blogging And Webcam Media | LESLIE BLOOMFIELD

How The Internet Is Helping The Music Industry | WILL JOHNSON

The Demise Of Net.Art: A Look At Artifacts Past | KENTA MURAKAMI

Living In Loser City: An Interview With The Creators | FRANCESCA LYN

Dead Man’s Bell: Virilio’s Tele-Vision & The Cybernetic Eternity | NORBERTO GOMEZ JR.

Collecting Male Tears: Misandry And Weaponized Femininity On The Internet | JILLIAN HOROWITZ

Virtual Interworlds | SEMI RYU

:::

contributors.

DANIEL FANINO
+ Lost In Translation
+ A Different Kind Of Internet

NORBERTO GOMEZ
+ Section Two: The Magical Mystery Revival
+ A Stranger-Web: The Death And Rebirth Of The Chatroom

MICHAEL LEONBERGER
+ Lady Gaga: Pop Banquet
+ Digital Tattoo
+ Dreaming Electric Keloid
+ Past, Present, And Future

KENTA MURAKAMI
+ Flickr Friends
+ “I Am Your Girlfriend” (And Life Is A Drag)

:::

extras.

Evolution

Editor's Note:

Welcome to the 20th anniversary issue of Digital America. Digital America is both a class and an arts journal in the Art and Art History Department at the University of Richmond. For each semester for the past ten years, students have come together to curate, edit, and publish compelling and innovative works of art in the digital space. The journal has matured over the years, yet earlier works resurfaced here maintain their relevance. In addition to resurfaced works, we’ve spent the fall 2022 semester reconnecting with artists and students from previous issues. We feel honored that these artists and former students have given us their time and insights into new work. We thank everyone we’ve ever published, and the dozens of students who’ve taken the course, for believing in accessible digital art for all. You’re the best. 

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Digital America 2022
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